Exclusive: There Is Nothing Called Jingoism: Nidhi Dutta on Patriotism Border 3 and More

Every Independence Day, as Border returns to television screens and another generation of viewers finds its way back to the 1997 war drama, the film’s legacy becomes a little more unusual. Nearly three decades after JP Dutta made the film, it is no longer just his story. It has become part of the country’s August 15 ritual, passed from parents to children through its characters, dialogues, music and, above all, its emotional understanding of the soldier.

This Independence Day is particularly significant for Nidhi Dutta. The daughter of JP Dutta has grown up with Border not as a film from her father’s past, but as a piece of her own childhood. She was on its sets as a little girl, remembers visiting her father in Jaisalmer while he was shooting the climax and saw the camps and trenches being built around her. Besides being the filmmaker’s daughter, she is also the producer and story writer of Border 2, which released earlier this year.

For Nidhi, the connection between the two films is not simply a matter of a family name or a franchise being carried forward. Her earliest memories of Border, she recalls, are deeply personal. “My earliest memories of Border are being on set with dad, visiting him in Jaisalmer when he was shooting the climax to celebrate my birthday and taking that drive. I remember my mom was expecting my little sister. So she was six months pregnant, and we were driving all the way to the border just to go meet dad. I remember seeing the tents they had put up, the whole camp and the trenches they had built. And I’m just so grateful that I have that memory as a child.”

Those memories go back even further, to the origins of the story itself. “From the first time that dad took out that rough book in which he had written the story when he was in college. When my uncle, who is his younger brother, was in the Indian Air Force and part of the Longewala battle, had come back from the war in ’71, he narrated what happened that night to dad. And dad created a story in his head around it. He had written it in this rough book that he had from college.”

Years later, when JP Dutta decided to turn producer in addition to being a director, he returned to that story. “Years later, dad had decided to become a producer from just a director. That’s when he revisited that story he had written in his rough book. He said if he is going to produce something, it is going to be that story.”

The scale of what Border would eventually become was impossible to know then. “Today this film is beyond success. It’s beyond a hit. It’s eternal. But when it started off, it was one man trying to tell a story about his soldiers and sharing it with his family. Those moments are personal and special.”

That sense of something deeply personal becoming collective is also how Nidhi understands the survival of Border across generations. The patriotic cinema landscape has changed considerably since 1997, with films such as Uri: The Surgical Strike, Shershaah, Major and Fighter offering contemporary audiences different forms of military storytelling. Yet Nidhi believes the emotion at the heart of these films remains unchanged. “Border came from one generation’s relationship. But it has also lived on through every generation. Whether it is an Uri, Shershaah, Fighter or Border, patriotism as an emotion does not change. Not with generation, not with times. It’s a feeling as eternal as love. It’s forever. And it has the same meaning and the same importance. Films and narratives are different with every generation because there’s a filmmaker who is giving you his point of view.”

Her father’s point of view was inevitably shaped by his family history. JP Dutta came from a family deeply connected to the Armed Forces, with his younger brother in the Air Force and several cousins and uncles serving in the military. Nidhi grew up in that same environment and believes that background continues to influence the way she approaches stories about soldiers.

“My father came from a space where he was coming from a background in the Armed Forces. His younger brother was in the Air Force. All his cousins were in the Air Force. All his uncles were in the Army. So he was the only odd one out who was actually part of the movies. When you tackle a subject so close to your home and to your heart, there is a different way you tell the story. There’s a different way the emotions are played. And that is what has sustained for 30 years.”

Now that she is telling these stories herself, she sees a direct continuity between their experiences. “Today, when I am telling a story, I am also coming from the same space and the same schooling. The same family background. So my narrative is going to be the closest narrative that there can ever be to a JP Dutta film. Because my emotion, my experiences, my thoughts are the same as my father’s. Of course nobody can be him. But closest to him. Then that would be my kind of storytelling or my narrative.”

That understanding of patriotism also shapes Nidhi’s response to the increasingly common distinction between patriotism and jingoism. She says she does not believe in the latter. “I don’t believe there is anything called jingoism. I believe that there is something called pride for your country. Pride about your soldiers. Pride about how tough your country is when it fights. We as a country have never been an aggressor. We’ve always defended our boundaries. Our borders. So when you’re telling stories about that, there is nothing called jingoism. It’s patriotism.”

For her, patriotism can be expressed in vastly different ways without becoming a different emotion. “It’s either loud or subtle. But patriotism can be, like my dad says, somebody screaming Bharat Mata Ki Jai. And also just a soldier who is saying bye to his mother and going to the front. So it’s about what you want to react to and feel for. But it’s all the same.”

That philosophy became particularly relevant when Nidhi stepped into the making of Border 2. Unlike the original, where JP Dutta was the director, writer and driving creative force, the sequel gave Nidhi her own authorship within the franchise. She wrote the story and produced the film, while Anurag Singh directed and co-wrote the screenplay and dialogues. JP Dutta remained involved as a producer.

Released on January 23, 2026, Border 2 brought together Sunny Deol, Varun Dhawan, Diljit Dosanjh and Ahan Shetty, with its story centred on the 1971 war and the experiences of personnel across the Indian Armed Forces. For Nidhi, the film represented an opportunity to carry forward an emotional legacy without simply attempting to recreate what her father had done nearly three decades ago.

And the story is far from over. The next chapter of the Border franchise is already being developed, with Nidhi having earlier confirmed that Border 3 has been in the works. Asked about the film, she says, “You will hear about Border 3 very soon. There will be updates soon. We’ve been working on it for a while now. Since just before the release of Border 2. It was always on the cards. Bhushan Kumar and I had always decided we would make Border 3. Just hoping, praying that everything works out.”