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Exclusive: Heres Why Karan Johar Unfollowed Shah Rukh Khan Alia Bhatt Kareena Kapoor Khan and More

Jasmine Johnson 2026-05-29Entertainment & Lifestyle#actor, #art, #artist, #beauty, #believe, #bhfyp, #bollywood, #comedy, #dance, #entertainment, #event, #events, #fashion, #fitness, #follow, #fun, #funny, #goals, #happiness, #happy, #hiphop, #hollywood, #inspiration, #instagood, #instagram, #life, #lifestyle, #like, #love, #loveyourself, #media, #memes, #mindset, #motivation, #movies, #music, #nature, #news, #party, #photography, #photooftheday, #positivevibes, #quotes, #selflove, #style, #success, #travel, #trending, #viral, #yourself

Filmmaker Karan Johar has always been highly active on Instagram, often sharing updates about films, fashion, friendships and industry moments with his followers. Known for being one of Bollywood’s most well-connected personalities, Karan shares close bonds with several celebrities, including Shah Rukh Khan, Gauri Khan, Manish Malhotra, Alia Bhatt and Kareena Kapoor Khan, among many others. However, in a surprising move, the filmmaker has now unfollowed several of his friends and industry colleagues on Instagram, leaving social media users puzzled. … Continue reading “Exclusive: Heres Why Karan Johar Unfollowed Shah Rukh Khan Alia Bhatt Kareena Kapoor Khan and More”

Kattalan Review: Antony Vargheseâs Forest Odyssey Is All Mood Mayhem and Diminishing Returns

There’s a stretch in Kattalan where Antony Varghese Pepe walks through a forest lit only by fire and vehicle headlights, men collapsing around him while Ravi Basrur’s score practically announces the arrival of a legend. It’s an image the film desperately wants us to absorb. Not merely a man surviving violence, but a man becoming myth through it. Debutant director Paul George approaches Kattalan less like a grounded action thriller and more like folklore narrated through blunt force trauma. Everyone … Continue reading “Kattalan Review: Antony Vargheseâs Forest Odyssey Is All Mood Mayhem and Diminishing Returns”

Editors Take: Why Sathyan Anthikads Films Still Feel Like Home

In today’s take, Filmfare’s Editor-in-Chief Jitesh Pillaai writes about the quiet magic, warmth and relatability that made Sathyan Anthikad’s cinema timeless. In his words: Movies are meant to take you outside yourself and yet reveal truths about yourself. It’s this interior-exterior pull and tug that characterises most of Sathyan Anthikad’s films. So, while TP Balagopalan MA (1986) and the Gurkha in Gandhinagar 2nd Street (1986) deal with the ever-changing job scenario (or the lack of it), it’s their relationship with … Continue reading “Editors Take: Why Sathyan Anthikads Films Still Feel Like Home”